| Aa.Vv. |
Penrose annual 1966 |
Herbert Spencer |
1966 |
CTY-TIri017 |
|
Itc International Typeface Corporation |
ITC |
1977 |
CTY-TIsp141 |
|
Victorian types for modern printing |
American Type Founders |
-01- |
CTY-TIsp025 |
| Aldo Novarese |
Excelsior |
Società Nebiolo Torino |
1966 |
CTY-TIsp146 |
| Aa. Vv. |
U&lc |
ITC |
1990 |
CTY-TIri051 |
| Stanley Morison |
Times bold italic now in hard Stepheson Blake metal |
Stephenson Blake |
-01 |
CTY-TIsp013 |
| Aa. Vv. |
U&lc |
ITC |
1999 |
CTY-TIri026 |
| Herb Lubalin, Antonio DiSpigna |
Itc Serif Gothic |
ITC |
1974 |
CTY-TIsp131 |
| Albert Boton |
Itc Eras |
itc |
1976 |
CTY-TIsp120 |
|
Linotype Antique No. 1 Series |
Mergenthaler Linotype Company |
-01- |
CTY-TIsp109 |
|
Neon Aurora bold condensed |
Chicago Type Foundry |
-01- |
CTY-TIsp099 |
|
Century Bold and Italic |
Mergenthaler Linotype Company |
-01- |
CTY-TIsp103 |
| Aa.Vv. |
Penrose annual 1953 |
R. B. Fishenden, M. Sc. (Tech), F.R.P.S |
1953 |
CTY-TIri010 |
| Aa. Vv. |
U&lc |
ITC |
1987 |
CTY-TIri061 |
| Stanley Morison |
A portrait |
The Trustees of the British Museum |
1971 |
CTY-TIli017 |
|
An essays on the forgotten art of the punchcutter |
School of Library service of the University of California |
1965 |
CTY-TIsp029 |
|
Klein Kapitaaltjes |
Amsterdam Type Foundry |
1954 |
CTY-TIsp165 |
| Aa. Vv. |
U&lc |
ITC |
1999 |
CTY-TIri028 |
|
Akzidenz Grotesk |
Arti Grafiche Pizzi |
-01- |
CTY-TIsp169 |
| Aa. Vv. |
U&lc |
ITC |
1988 |
CTY-TIri056 |
| Herb Lubalin, Tom Carnase |
Itc Avant Garde Gothic |
itc |
-01- |
CTY-TIsp112 |
| Aa. Vv. |
U&lc |
ITC |
1989 |
CTY-TIri054 |
|
Largo |
Ludwig & Mayer |
-01- |
CTY-TIsp024 |
| Howard Allen Trafton |
Trafton Script |
Bauer Alphabets, Inc. |
1933 |
CTY-TIsp072 |
|
Fifth young printers’ conference |
Curwen press |
1956 |
CTY-TIli020 |
| Herb Lubalina, Tony DiSpagna e Joe Sundawall |
Itc Lubalin Graph |
ITC |
1975 |
CTY-TIsp127 |
|
New Faces: Normande-Walbaum |
Amsterdam Continental Types and Graphic Equipment inc. |
-01- |
CTY-TIsp107 |
|
Frischer Wind — und Folio |
Harrys-Intertype Gmbh. Berlin |
1962 |
CTY-TIsp009 |
|
The Type-a-Day calendar June 1973 |
Solotype Typographers |
1973 |
CTY-TIsp057 |
|
50 Jahre Christian Wolff - Flensburg |
Verlag Gmbh |
1959 |
CTY-TIli013 |
| Hermann Zapf |
Palatino-Michelangelo-Sistina |
D. Stempel A-G |
-01- |
CTY-TIsp061 |
| Hieronymus Andreae |
Linotype Buch Fraktur |
Mergenthaler Setzmaschinen, G.M.B.H. |
-01- |
CTY-TIsp080 |
| Oldrich Menhar, Josef Týfa |
Veneziana |
Grafotechna |
1920 |
CTY-TIsp037 |
| Aa. Vv. |
U&lc |
ITC |
1989 |
CTY-TIri052 |
| Victor A. Caruso |
Itc Clearface |
itc |
1979 |
CTY-TIsp119 |
| Stanley Morison, Victor Lardent |
Matrotype Times |
Matrotype Company, Taplow, Maindenhead, Berkshire M. H. Whittake |
-01- |
CTY-TIsp039 |
| Alessandro Butti |
Torino Roman Italic |
Amsterdam Continental Types and Graphic equipment, inc. |
01-0 |
CTY-TIsp095 |
| Sebastian Carter |
Twentieth century designers |
Typeplinger Publishing Co., Inc. |
1962 |
CTY-TIli002 |
| Aa.Vv. |
Penrose annual 1956 |
R. B. Fishenden, M. Sc. (Tech), F.R.P.S |
1956 |
CTY-TIri013 |
| Stanley Morison |
The two best 20th century type families |
Stephenson Blake |
1959 |
CTY-TIsp011 |
|
A graphic guide to Veloxes and other prints for pasteup |
Graphic Process Company |
1977 |
CTY-TImt002 |
| Hermann Zapf |
Optima |
D. Stempel AG |
1958 |
CTY-TIbr002 |
| Joel Kaden, Tony Stan |
Itc American typewriter |
itc |
1975 |
CTY-TIsp111 |
| Aa. Vv. |
U&lc |
ITC |
1985 |
CTY-TIri066 |
| Louis Oppenheim |
LO-Type/LO-Schrift |
H. Berthold AG |
1914 |
CTY-TIsp060 |
| Aa. Vv. |
U&lc |
ITC |
1993 |
CTY-TIri039 |
| Aa. Vv. |
U&lc |
ITC |
1986 |
CTY-TIri064 |
|
Monotype |
Lanston Monotype Machine Company |
1957 |
CTY-TIli015 |
|
Neon Helvetica |
Typefounders of Chicago |
1957 |
CTY-TIsp027 |
| Aa.Vv. |
Penrose annual 1957 |
R. B. Fishenden, O.B.E.,M. Sc. (Tech), H.O.N. F.R.P.S |
1957 |
CTY-TIri014 |
