|
Akzidenz Grotesk |
Arti Grafiche Pizzi |
-01- |
CTY-TIsp169 |
| Peter Dombrezian |
Polka |
Amsterdam Type Foundry |
1954 |
CTY-TIsp158 |
| Aa. Vv. |
U&lc |
ITC |
1993 |
CTY-TIri040 |
|
Fine drinking |
Curwen press |
-01- |
CTY-TIca009 |
| Brian Reade, Lynton Lamb, Harry Carter |
Signature 4 |
Curwen press |
1947 |
CTY-TIli024 |
| Aa. Vv. |
U&lc |
ITC |
1987 |
CTY-TIri060 |
| Oldrich Menhart |
Roman and Italic Manuscript |
Slévarna písem |
1944 |
CTY-TIsp040 |
| Jovica Veljovic |
Itc Esprit |
itc |
1985 |
CTY-TIsp121 |
| Hermann Zapf |
Palatino-Michelangelo-Sistina |
D. Stempel A-G |
-01- |
CTY-TIsp061 |
|
Foundry Types from Bauer Alphabets |
Bauer Alphabets, Inc. |
-01- |
CTY-TIbr003 |
| C.H. Griffith |
Monticello |
Mergenthaler Linotype Company |
1946 |
CTY-TIsp081 |
|
Nicolas |
Nicolas |
1931 |
CTY-TIca002 |
| Giambattista Bodoni |
Bodoni |
Amsterdam Type Foundry |
1953 |
CTY-TIsp159 |
| Hermann Eidenbenz - Eugen e Max Lenz |
Graphic/Graphique-Profile/Profil |
Haas Typefoundry |
-01- |
CTY-TIsp105 |
| Ray Baker |
Itc Quorum |
ITC |
1977 |
CTY-TIsp130 |
| John Barr |
Officina Bodoni |
The British Library |
1978 |
CTY-TIsp023 |
| Aa. Vv. |
U&lc |
ITC |
1989 |
CTY-TIri052 |
|
Frischer Wind — und Folio |
Harrys-Intertype Gmbh. Berlin |
1962 |
CTY-TIsp009 |
| John Lewis and John Brinkley |
Graphic Design |
Routledge & Kegan Paul |
1954 |
CTY-TIli010 |
| Aa. Vv. |
U&lc |
ITC |
1986 |
CTY-TIri064 |
| Eric Gill |
Art and a changing civilisation |
John Lane the Bodley Head Ltd. |
1934 |
CTY-TIli007 |
| Hermann Zapf |
Optima |
D. Stempel AG |
1958 |
CTY-TIbr002 |
| Hermann Zapf |
Itc Zapf International |
ITC |
1977 |
CTY-TIsp140 |
| Aa.Vv. |
Penrose annual 1975 |
Brian H Smith |
1975 |
CTY-TIri022 |
|
Monotype |
Lanston Monotype Machine Company |
1957 |
CTY-TIli015 |
| Aa. Vv. |
U&lc |
ITC |
1990 |
CTY-TIri049 |
| Aa. Vv. |
U&lc |
ITC |
1986 |
CTY-TIri065 |
|
Marko |
C. E. Weber |
1953 |
CTY-TIsp017 |
| Rudolf Weiss |
Memphis Luna |
Stempel Typefounders |
1936 |
CTY-TIsp018 |
| Herb Lubalin, Tom Carnase |
Itc Avant Garde Gothic |
itc |
-01- |
CTY-TIsp112 |
| Aa. Vv. |
U&lc |
ITC |
1988 |
CTY-TIri058 |
|
Antiqua Empiriana and Italic |
Grafotechna - Prag |
1958 |
CTY-TIsp021 |
| Aldo Novarese |
Dattilo |
Società Nebiolo Torino |
1972 |
CTY-TIsp145 |
| F. K. Sallway |
Information |
The Stempel Foundry |
1958 |
CTY-TIsp015 |
| Hermann Zapf |
Melior |
D. Stempel AG Typefoundry |
1952 |
CTY-TIsp067 |
|
Linotype Antique No. 1 Series |
Mergenthaler Linotype Company |
-01- |
CTY-TIsp109 |
| Oldrich Menhart |
Figural Roman and Italic |
Grafotechna |
1949 |
CTY-TIsp033 |
| Louis Oppenheim |
LO-Type/LO-Schrift |
H. Berthold AG |
1914 |
CTY-TIsp060 |
| Das zweite heft-Februar 1927 |
Typographische Mitteilungen |
Verlag des Bildungsverbandes der Deutschen Buchdrucker |
1927 |
CTY-TIri003 |
|
Smithsonian Type Revivals |
Smithsonian/Letter Foundery |
1970 |
CTY-TIsp028 |
| Von Oskar Beyer |
Rudolf Koch |
Evangelifche Verlagsanftalt/Berlin |
1949 |
CTY-TIli011 |
| James Wardrop, Michael Ayrton, Raynolds Stone |
Signature 2 |
Curwen press |
1946 |
CTY-TIli025 |
| Aa. Vv. |
U&lc |
ITC |
1997 |
CTY-TIri035 |
|
Neon Helvetica |
Typefounders of Chicago |
1957 |
CTY-TIsp027 |
| Hermann Zapf |
Michelangelo Titling e Sistina Titling |
Stempel Typefounders |
1951 |
CTY-TIsp042 |
| American Typefounders Company |
Typografic Dots |
American Typefounders Company |
-01- |
CTY-TIsp082 |
|
New Faces: Normande-Walbaum |
Amsterdam Continental Types and Graphic Equipment inc. |
-01- |
CTY-TIsp107 |
| Max Miedinger |
Helvetica Light |
D. Stempel AG Typefoundry |
1957 |
CTY-TIsp043 |
| Walter H. McKay |
Columbia |
Amsterdam Type Foundry |
-01- |
CTY-TIsp167 |
|
New Amsterdam Continental Types |
American Type Founders |
-01- |
CTY-TIsp075 |
