| Edward Benguiat |
Modern is Jazzier - Modern No. 216 |
The Type People |
1987 |
CTY-TIsp079 |
| Ray Baker |
Itc Quorum |
ITC |
1977 |
CTY-TIsp130 |
| Aa. Vv. |
U&lc |
ITC |
1987 |
CTY-TIri060 |
| John Barr |
Officina Bodoni |
The British Library |
1978 |
CTY-TIsp023 |
| Aa. Vv. |
U&lc |
ITC |
1994 |
CTY-TIri037 |
| Ruari McLean |
Pictorial Alphabets |
Studio Vista, London Dover Publications, New York |
1968 |
CTY-TIli004 |
| C.H. Griffith |
Monticello |
Mergenthaler Linotype Company |
1946 |
CTY-TIsp081 |
| Hermann Eidenbenz - Eugen e Max Lenz |
Graphic/Graphique-Profile/Profil |
Haas Typefoundry |
-01- |
CTY-TIsp105 |
| Eric Gill |
Last Essays |
Jonathan Cape Ltd. |
1943 |
CTY-TIli008 |
| S. H. De Roos |
A survey of types |
Typefoundry Amsterdam |
1947 |
CTY-TIsp014 |
| Jovica Veljovic |
Itc Esprit |
itc |
1985 |
CTY-TIsp121 |
| Brian Reade, Lynton Lamb, Harry Carter |
Signature 4 |
Curwen press |
1947 |
CTY-TIli024 |
| Aa.Vv. |
Penrose annual 1957 |
R. B. Fishenden, O.B.E.,M. Sc. (Tech), H.O.N. F.R.P.S |
1957 |
CTY-TIri014 |
| Hermann Zapf |
Optima |
D. Stempel AG |
1958 |
CTY-TIbr002 |
| John Lewis and John Brinkley |
Graphic Design |
Routledge & Kegan Paul |
1954 |
CTY-TIli010 |
| Friedrich Hermann Ernst Schneidler |
Legend |
Bauer Alphabets, Inc. |
1937 |
CTY-TIsp077 |
|
Mazak Type for Rubber Stamp and Hot Foil Processing |
Stephenson Blake & Co. Limited |
-01- |
CTY-TIsp036 |
| Aldo Novarese |
Forma |
Società Nebiolo Torino |
1968 |
CTY-TIsp152 |
|
Italic typography on the Ludlow |
Ludlow Typography Company |
1927 |
CTY-TIca005 |
| Homer H. Boetler |
Typography |
Homer H. Boetler Typography |
-01- |
CTY-TIca003 |
| Adrian Frutiger |
Méridien |
Deberny et Peignot |
1957 |
CTY-TIsp019 |
| Von Oskar Beyer |
Rudolf Koch |
Evangelifche Verlagsanftalt/Berlin |
1949 |
CTY-TIli016 |
| Aa.Vv. |
Penrose annual 1975 |
Brian H Smith |
1975 |
CTY-TIri022 |
| American Typefounders Company |
Typografic Dots |
American Typefounders Company |
-01- |
CTY-TIsp082 |
| Aa.Vv. |
Penrose annual 1938 |
Lund, Humphries & company, LTD |
1938 |
CTY-TIri007 |
|
Largo |
Ludwig & Mayer |
-01- |
CTY-TIsp024 |
| S.H. de Roos |
Egmont |
Amsterdam Type Foundry |
1933 |
CTY-TIsp065 |
| Ed Benguiat |
Itc Bookman |
itc |
1976 |
CTY-TIsp117 |
| Aldo Novarese, Alessandro Butti |
Microgramma Neon |
Typefounders of Chicago |
1952 |
CTY-TIsp012 |
|
Century Bold and Italic |
Mergenthaler Linotype Company |
-01- |
CTY-TIsp103 |
|
Egyptienne |
Amsterdam Type Foundry |
-01- |
CTY-TIsp161 |
| Louis Oppenheim |
LO-Type/LO-Schrift |
H. Berthold AG |
1914 |
CTY-TIsp060 |
| Hubert Phillips, Pearl Falconer |
Meet William Shakespeare |
Curwen press |
1949 |
CTY-TIli022 |
| Aa. Vv. |
U&lc |
ITC |
1990 |
CTY-TIri049 |
| A.V. |
U&lc - volume eight (n.1) |
International Typeface Corporation |
1981 |
CTY-TIri001 |
| Hermann Berthold |
Standard |
Neon Type Division, Typefounders of Chicago |
1960 |
CTY-TIsp041 |
| Stanley Morison |
The two best 20th century type families |
Stephenson Blake |
1959 |
CTY-TIsp011 |
| Aa. Vv. |
U&lc |
ITC |
1992 |
CTY-TIri042 |
| Roger Excoffon |
Mistral |
Amsterdam Type Foundry |
1955 |
CTY-TIsp069 |
| Stanley Morison |
A portrait |
The Trustees of the British Museum |
1971 |
CTY-TIli017 |
| Lyubov Kuznetsova |
Linotype Elisabeth |
D. Stempel AG |
-01- |
CTY-TIsp083 |
|
Neon Helvetica |
Typefounders of Chicago |
1957 |
CTY-TIsp027 |
| Vincent Pacella |
Itc Pacella |
ITC |
1987 |
CTY-TIsp129 |
| American Typefounders Company |
Modern Decorative Material |
American Typefounders Company |
-01- |
CTY-TIsp088 |
|
Fifth young printers’ conference |
Curwen press |
1956 |
CTY-TIli020 |
| Aldo Novarese |
Egizio |
Amsterdam continetal Types and Graphic Equipment Inc. |
1958 |
CTY-TIsp004 |
|
Akzidenz Grotesk |
Arti Grafiche Pizzi |
-01- |
CTY-TIsp169 |
| James Wardrop, Michael Ayrton, Raynolds Stone |
Signature 2 |
Curwen press |
1946 |
CTY-TIli025 |
| F. K. Sallway |
Information |
The Stempel Foundry |
1958 |
CTY-TIsp015 |
| Aa.Vv. |
Penrose annual 1976 |
Stanley Greenwood and Clive Goodacre |
1976 |
CTY-TIri023 |
