Herb Lubalin, Tom Carnase |
Itc Avant Garde Gothic |
itc |
-01- |
CTY-TIsp112 |
|
An essays on the forgotten art of the punchcutter |
School of Library service of the University of California |
1965 |
CTY-TIsp029 |
Aa. Vv. |
U&lc |
ITC |
1987 |
CTY-TIri059 |
Hermann Zapf |
Optima |
Neon Type Division, Typefounders of Chicago |
-01- |
CTY-TIsp063 |
Aa. Vv. |
U&lc |
ITC |
1990 |
CTY-TIri050 |
Aa. Vv. |
U&lc |
ITC |
1997 |
CTY-TIri033 |
Dick Dooyes, Stefan Schlesinger |
ATF Typographic Accessories |
ATF |
-01- |
CTY-TIsp047 |
Aldo Novarese |
Forma nera |
Società Nebiolo Torino |
1968 |
CTY-TIsp150 |
Das zweite heft-Februar 1927 |
Typographische Mitteilungen |
Verlag des Bildungsverbandes der Deutschen Buchdrucker |
1927 |
CTY-TIri003 |
Hermann Eidenbenz - Eugen e Max Lenz |
Graphic/Graphique-Profile/Profil |
Haas Typefoundry |
-01- |
CTY-TIsp105 |
|
Type |
Mackenzie-Harris |
1978 |
CTY-TIsp104 |
Oldrich Menhart, Josef Týfa |
Veneziana Antiqua and Italic |
Grafotechna |
1956 |
CTY-TIsp038 |
John Lewis and John Brinkley |
Graphic Design |
Routledge & Kegan Paul |
1954 |
CTY-TIli010 |
John Rothenstein, Mary Chamot |
The Tate gallery |
Curwen press |
1951 |
CTY-TIli018 |
|
For Your Guidance |
Bauer type foundry |
01-0 |
CTY-TIsp106 |
|
Monotype |
Lanston Monotype Machine Company |
1957 |
CTY-TIli015 |
Max Miedinger |
Helvetica Light |
D. Stempel AG Typefoundry |
1957 |
CTY-TIsp043 |
|
Antieke |
Amsterdam Type Foundry |
-01- |
CTY-TIsp162 |
Aa. Vv. |
U&lc |
ITC |
1999 |
CTY-TIri026 |
Morris Fuller Benton |
The Louvaine Family |
American Typefounders Company |
1929 |
CTY-TIsp092 |
S.H. de Roos |
Egmont |
Amsterdam Type Foundry |
1933 |
CTY-TIsp065 |
Aldo Novarese, Alessandro Butti |
Microgramma Neon |
Typefounders of Chicago |
1952 |
CTY-TIsp012 |
Stanley Morison |
The two best 20th century type families |
Stephenson Blake |
1959 |
CTY-TIsp011 |
Hermann Zapf |
Itc Zapf International |
ITC |
1977 |
CTY-TIsp140 |
Aa.Vv. |
Penrose annual 1975 |
Brian H Smith |
1975 |
CTY-TIri022 |
Aa. Vv. |
U&lc |
ITC |
1989 |
CTY-TIri054 |
|
Garamond |
Ludlow Typography Company |
1930 |
CTY-TIsp026 |
Dennis Morgan |
Bessemer |
Stevens, Shanks & Sons Ltd |
1936 |
CTY-TIsp045 |
Aa. Vv. |
U&lc |
ITC |
1986 |
CTY-TIri062 |
Edward Benguiat |
Modern is Jazzier - Modern No. 216 |
The Type People |
1987 |
CTY-TIsp079 |
|
Egyptienne |
Amsterdam Type Foundry |
-01- |
CTY-TIsp161 |
Eric Gill |
Last Essays |
Jonathan Cape Ltd. |
1943 |
CTY-TIli008 |
Aa. Vv. |
U&lc |
ITC |
1997 |
CTY-TIri036 |
Jovita Veljović |
Itc Gamma |
ITC |
1986 |
CTY-TIsp123 |
American Type Founders |
ATF Section G Type Specimens |
ATF |
-01- |
CTY-TIsp048 |
C.H. Griffith |
Monticello |
Mergenthaler Linotype Company |
1946 |
CTY-TIsp081 |
Aa. Vv. |
U&lc |
ITC |
1990 |
CTY-TIri049 |
Aldo Novarese |
Excelsior |
Società Nebiolo Torino |
1966 |
CTY-TIsp146 |
Aa. Vv. |
Book design and production |
Arthur J. Heighway Publication Limited |
1962 |
CTY-TIli001 |
Roger Excoffon |
Mistral |
Amsterdam Type Foundry |
1955 |
CTY-TIsp069 |
A.V. |
U&lc - volume thirteen (n.2) |
International Typeface Corporation |
1986 |
CTY-TIri002 |
Hermann Berthold |
Standard |
Neon Type Division, Typefounders of Chicago |
1960 |
CTY-TIsp041 |
Hermann Zapf |
Itc Zapf Dingbats - sign, symbol & ornaments |
ITC |
1978 |
CTY-TIsp139 |
Morris Fuller Benton |
Monotype Century |
Monotype Corporation |
-01- |
CTY-TIsp102 |
|
Century Bold and Italic |
Mergenthaler Linotype Company |
-01- |
CTY-TIsp103 |
Thomas Maitland Cleland, Morris Fuller Benton |
Garamont |
Amsterdam Type Foundry |
-01- |
CTY-TIsp160 |
|
Italic typography on the Ludlow |
Ludlow Typography Company |
1927 |
CTY-TIca005 |
Walter H. McKay |
Columbia |
Amsterdam Type Foundry |
-01- |
CTY-TIsp167 |
S.H. De Roos |
Libra |
Typefounfry Amsterdam |
-01- |
CTY-TIsp108 |
Aa. Vv. |
U&lc |
ITC |
1986 |
CTY-TIri064 |