| Hubert Phillips, Pearl Falconer |
Meet William Shakespeare |
Curwen press |
1949 |
CTY-TIli022 |
| Aa.Vv. |
Penrose annual 1968 |
Herbert Spencer |
1968 |
CTY-TIri019 |
| Aa. Vv. |
U&lc |
ITC |
1997 |
CTY-TIri035 |
| American Typefounders Company |
Typografic Dots |
American Typefounders Company |
-01- |
CTY-TIsp082 |
| Louis Oppenheim |
LO-Type/LO-Schrift |
H. Berthold AG |
1914 |
CTY-TIsp060 |
| Aa. Vv. |
Book design and production |
Arthur J. Heighway Publication Limited |
1962 |
CTY-TIli001 |
| Ivor Robinson |
Introducing Bookbinding |
Watson - Guptill Publication New York |
1968 |
CTY-TIli003 |
| Aa. Vv. |
U&lc |
ITC |
1991 |
CTY-TIri046 |
| Aa.Vv. |
Penrose annual 1952 |
R. B. Fishenden, M. Sc. (Tech), F.R.P.S |
1952 |
CTY-TIri009 |
| Hermann Zapf |
Optima |
Neon Type Division, Typefounders of Chicago |
-01- |
CTY-TIsp063 |
| Stanley Morison |
Times bold italic now in hard Stepheson Blake metal |
Stephenson Blake |
-01 |
CTY-TIsp013 |
| Ed Benguiat |
Itc Benguiat Condensed |
itc |
1979 |
CTY-TIsp116 |
| Herb Lubalin, Tom Carnase |
Itc Avant Garde Gothic |
itc |
-01- |
CTY-TIsp112 |
| Aa. Vv. |
U&lc |
ITC |
1999 |
CTY-TIri028 |
| Carl Purington Rollins, A. F. Johnson, Ellic Howe |
Signature 10 |
Curwen press |
1950 |
CTY-TIli023 |
| Aldo Novarese |
Eurostile Neon |
Neon Type Division, Typefounders of Chicago |
1962 |
CTY-TIsp091 |
| Alessandro Butti / Aldo Novarese |
Nova Augustea |
Società Nebiolo Torino |
1964 |
CTY-TIsp005 |
| John Lewis and John Brinkley |
Graphic Design |
Routledge & Kegan Paul |
1954 |
CTY-TIli010 |
| Morris Fuller Benton |
Cheltenham |
Mergenthaler Linotype Company |
1929 |
CTY-TIsp066 |
| Konrand F. Bauer, Walter Baum e Adler Traldi |
New Impressum light - Italic - Bold |
Bauer Alphabets Inc. |
1962 |
CTY-TIsp007 |
| Warren Chappell |
The Lydians |
ATF, American Type Founders |
-01- |
CTY-TIbr005 |
| Robert Slimbach |
Itc Slimbach |
ITC |
1987 |
CTY-TIsp132 |
|
Antiqua Empiriana and Italic |
Grafotechna - Prag |
1958 |
CTY-TIsp021 |
|
George Morland |
Curwen Press |
1954 |
CTY-TIli019 |
| Aa. Vv. |
U&lc |
ITC |
1986 |
CTY-TIri065 |
| Frederic Goudy |
Itc Goudy Sans |
ITC |
1986 |
CTY-TIsp125 |
|
Tips on the Care of Your Intertype |
Intertype Corporation |
-01- |
CTY-TImt001 |
| Aa. Vv. |
U&lc |
ITC |
1994 |
CTY-TIri038 |
| Aa. Vv. |
U&lc |
ITC |
1997 |
CTY-TIri034 |
| Aa.Vv. |
Penrose annual 1953 |
R. B. Fishenden, M. Sc. (Tech), F.R.P.S |
1953 |
CTY-TIri010 |
| Herb Lubalin, Tom Carnase |
Itc Avant Garde Gothic Condensed |
Itc |
1974 |
CTY-TIsp113 |
|
Die Schrift im Schonen Buch |
D. Stempel AG |
-01- |
CTY-TIsp022 |
|
Garamond |
Ludlow Typography Company |
1930 |
CTY-TIsp026 |
| Tony Stan |
Itc Cheltenham |
itc |
1978 |
CTY-TIsp118 |
| Aa. Vv. |
U&lc |
ITC |
1998 |
CTY-TIri031 |
| Wilhelm Pischner |
Linotype - Neuzeit - Grotesk |
D. Stempel A-G |
-01- |
CTY-TIsp096 |
|
Neon Helvetica |
Typefounders of Chicago |
1957 |
CTY-TIsp027 |
| Aldo Novarese |
Eurostile |
Società Nebiolo Torino |
1962 |
CTY-TIsp006 |
|
New Faces: Normande-Walbaum |
Amsterdam Continental Types and Graphic Equipment inc. |
-01- |
CTY-TIsp107 |
| Hermann Zapf |
Melior |
D. Stempel AG Typefoundry |
1952 |
CTY-TIsp067 |
| Ruari McLean |
Pictorial Alphabets |
Studio Vista, London Dover Publications, New York |
1968 |
CTY-TIli004 |
|
Nebiolo |
Società Nebiolo Torino |
1967 |
CTY-TIsp154 |
|
An essays on the forgotten art of the punchcutter |
School of Library service of the University of California |
1965 |
CTY-TIsp029 |
| Aa.Vv. |
Penrose annual 1954 |
R. B. Fishenden, O.B.E.,M. Sc. (Tech), H.O.N. F.R.P.S |
1954 |
CTY-TIri011 |
| S.H. De Roos |
Libra |
Typefounfry Amsterdam |
-01- |
CTY-TIsp108 |
| Alpha Omega Typography |
Itc Tiepolo |
ITC |
1987 |
CTY-TIsp134 |
|
Shmale magere Grotesk/Grotesque maigre allongée |
Haas Typefoundry |
-01- |
CTY-TIsp144 |
| Jacob Erbar |
Locarno |
Continental Typefounders Association, Inc. |
1923 |
CTY-TIsp078 |
| Oldrich Menhar, Josef Týfa |
Veneziana |
Grafotechna |
1920 |
CTY-TIsp037 |
| F. W. Kleukens |
Omega |
D. Stempel AG |
1926 |
CTY-TIsp031 |
