| 
			William Caslon | 
			Ludlow Typography Company | 
			1967 | 
			CTY-TIsp030 | 
			
		
				
			| Richard Isbell | 
			ATF Americana | 
			American Type founders | 
			1967 | 
			CTY-TIsp084 | 
			
		
				
			| Aa.Vv. | 
			Penrose annual 1967 | 
			Herbert Spencer | 
			1967 | 
			CTY-TIri018 | 
			
		
				
			| Aldo Novarese | 
			Excelsior | 
			Società Nebiolo Torino | 
			1966 | 
			CTY-TIsp146 | 
			
		
				
			| Aldo Novarese | 
			Magister | 
			Società Nebiolo Torino | 
			1966 | 
			CTY-TIsp147 | 
			
		
				
			| Aa.Vv. | 
			Penrose annual 1966 | 
			Herbert Spencer | 
			1966 | 
			CTY-TIri017 | 
			
		
				
			| Aldo Novarese | 
			Oscar | 
			Società Nebiolo Torino | 
			1965 | 
			CTY-TIsp151 | 
			
		
				
			| Aa.Vv. | 
			Penrose annual 1965 | 
			Herbert Spencer | 
			1965 | 
			CTY-TIri016 | 
			
		
				
			| Aldo Novarese | 
			Eurostile | 
			Società Nebiolo Torino | 
			1965 | 
			CTY-TIsp158 | 
			
		
				
			 | 
			An essays on the forgotten art of the punchcutter | 
			School of Library service of the University of California | 
			1965 | 
			CTY-TIsp029 | 
			
		
				
			| Aldo Novarese | 
			Eurostile | 
			Società Nebiolo Torino | 
			1964 | 
			CTY-TIsp148 | 
			
		
				
			| Alessandro Butti / Aldo Novarese | 
			Nova Augustea | 
			Società Nebiolo Torino | 
			1964 | 
			CTY-TIsp005 | 
			
		
				
			| Aldo Novarese | 
			Recta | 
			Società Nebiolo Torino | 
			1963 | 
			CTY-TIsp153 | 
			
		
				
			| J. Ben Lieberman | 
			Printing as a hobby | 
			Sterling Publishing Co. Inc. | 
			1963 | 
			CTY-TIli009 | 
			
		
				
			| Aldo Novarese | 
			Eurostile | 
			Società Nebiolo Torino | 
			1962 | 
			CTY-TIsp156 | 
			
		
				
			| Aldo Novarese | 
			Eurostile | 
			Società Nebiolo | 
			1962 | 
			CTY-TIsp076 | 
			
		
				
			| Aldo Novarese | 
			Eurostile | 
			Società Nebiolo Torino | 
			1962 | 
			CTY-TIsp006 | 
			
		
				
			| Konrand F. Bauer, Walter Baum e Adler Traldi | 
			New Impressum light - Italic - Bold | 
			Bauer Alphabets Inc. | 
			1962 | 
			CTY-TIsp007 | 
			
		
				
			| Eduard Hoffmann, Max Miedinger | 
			Helvetica | 
			Haas Typefoundry | 
			1962 | 
			CTY-TIsp168 | 
			
		
				
			| Aldo Novarese | 
			Egizio | 
			Società Nebiolo Torino | 
			1962 | 
			CTY-TIsp170 | 
			
		
				
			| Aldo Novarese | 
			Eurostile Neon | 
			Neon Type Division, Typefounders of Chicago | 
			1962 | 
			CTY-TIsp091 | 
			
		
				
			 | 
			Frischer Wind — und Folio | 
			Harrys-Intertype Gmbh. Berlin | 
			1962 | 
			CTY-TIsp009 | 
			
		
				
			| Aa. Vv. | 
			Book design and production | 
			Arthur J. Heighway Publication Limited | 
			1962 | 
			CTY-TIli001 | 
			
		
				
			| Sebastian Carter | 
			Twentieth century designers | 
			Typeplinger Publishing Co., Inc. | 
			1962 | 
			CTY-TIli002 | 
			
		
				
			| Aa.Vv. | 
			Penrose annual 1960 | 
			Allan Delafons | 
			1960 | 
			CTY-TIri015 | 
			
		
				
			| Josè Mendoza y Almeida | 
			Pascal | 
			Typefoundry Amsterdam | 
			1960 | 
			CTY-TIsp058 | 
			
		
				
			| Günter Gerhard Lange | 
			New Standard Series-57/58 | 
			Berthold Type Foundry | 
			1960 | 
			CTY-TIsp010 | 
			
		
				
			| Hermann Berthold | 
			Standard | 
			Neon Type Division, Typefounders of Chicago | 
			1960 | 
			CTY-TIsp041 | 
			
		
				
			 | 
			50 Jahre Christian Wolff - Flensburg | 
			Verlag Gmbh | 
			1959 | 
			CTY-TIli013 | 
			
		
				
			| Stanley Morison | 
			The two best 20th century type families | 
			Stephenson Blake | 
			1959 | 
			CTY-TIsp011 | 
			
		
				
			| Jahre Berthold | 
			100 Jahre Berthold | 
			H. Berthold AG | 
			1958 | 
			CTY-TIli005 | 
			
		
				
			| Hermann Zapf | 
			Optima | 
			D. Stempel AG | 
			1958 | 
			CTY-TIbr002 | 
			
		
				
			| Aldo Novarese | 
			Egizio | 
			Amsterdam continetal Types and Graphic Equipment Inc. | 
			1958 | 
			CTY-TIsp004 | 
			
		
				
			| F. K. Sallway | 
			Information | 
			The Stempel Foundry | 
			1958 | 
			CTY-TIsp015 | 
			
		
				
			 | 
			Antiqua Empiriana and Italic | 
			Grafotechna - Prag | 
			1958 | 
			CTY-TIsp021 | 
			
		
				
			 | 
			Monotype | 
			Lanston Monotype Machine Company | 
			1957 | 
			CTY-TIli015 | 
			
		
				
			| Adrian Frutiger | 
			Méridien | 
			Deberny et Peignot | 
			1957 | 
			CTY-TIsp019 | 
			
		
				
			 | 
			Neon Helvetica | 
			Typefounders of Chicago | 
			1957 | 
			CTY-TIsp027 | 
			
		
				
			| Max Miedinger | 
			Helvetica Light | 
			D. Stempel AG Typefoundry | 
			1957 | 
			CTY-TIsp043 | 
			
		
				
			| Aa.Vv. | 
			Penrose annual 1957 | 
			R. B. Fishenden, O.B.E.,M. Sc. (Tech), H.O.N. F.R.P.S | 
			1957 | 
			CTY-TIri014 | 
			
		
				
			| Oldrich Menhart, Josef Týfa | 
			Veneziana Antiqua and Italic | 
			Grafotechna | 
			1956 | 
			CTY-TIsp038 | 
			
		
				
			 | 
			Fifth young printers’ conference | 
			Curwen press | 
			1956 | 
			CTY-TIli020 | 
			
		
				
			| Aa.Vv. | 
			Penrose annual 1956 | 
			R. B. Fishenden, M. Sc. (Tech), F.R.P.S | 
			1956 | 
			CTY-TIri013 | 
			
		
				
			| Roger Excoffon | 
			Mistral | 
			Amsterdam Type Foundry | 
			1955 | 
			CTY-TIsp069 | 
			
		
				
			| Konrad Friedrich Bauer, Walter Baum | 
			Fortune | 
			Bauer Alphabets, Inc. | 
			1955 | 
			CTY-TIsp034 | 
			
		
				
			| Aa.Vv. | 
			Penrose annual 1955 | 
			R. B. Fishenden, O.B.E.,M. Sc. (Tech), H.O.N. F.R.P.S | 
			1955 | 
			CTY-TIri012 | 
			
		
				
			 | 
			Klein Kapitaaltjes | 
			Amsterdam Type Foundry | 
			1954 | 
			CTY-TIsp165 | 
			
		
				
			| Peter Dombrezian | 
			Polka | 
			Amsterdam Type Foundry | 
			1954 | 
			CTY-TIsp158 | 
			
		
				
			| John Lewis and John Brinkley | 
			Graphic Design | 
			Routledge & Kegan Paul | 
			1954 | 
			CTY-TIli010 | 
			
		
				
			 | 
			George Morland | 
			Curwen Press | 
			1954 | 
			CTY-TIli019 |