| Günter Gerhard Lange |
New Standard Series-57/58 |
Berthold Type Foundry |
1960 |
CTY-TIsp010 |
| Aa. Vv. |
U&lc |
ITC |
1990 |
CTY-TIri050 |
| Aa. Vv. |
U&lc |
ITC |
1991 |
CTY-TIri046 |
| Edward Benguiat |
Modern is Jazzier - Modern No. 216 |
The Type People |
1987 |
CTY-TIsp079 |
| Aa.Vv. |
Penrose annual 1954 |
R. B. Fishenden, O.B.E.,M. Sc. (Tech), H.O.N. F.R.P.S |
1954 |
CTY-TIri011 |
|
Antieke |
Amsterdam Type Foundry |
-01- |
CTY-TIsp162 |
| C. H. Griffith |
Linotype Monticello |
Mergenthaler/Linotype |
1946 |
CTY-TIsp020 |
| Aldo Novarese |
Egizio |
Società Nebiolo Torino |
1962 |
CTY-TIsp170 |
| Thomas Maitland Cleland, Morris Fuller Benton |
Garamont |
Amsterdam Type Foundry |
-01- |
CTY-TIsp160 |
|
Itc Weidemann |
ITC |
1983 |
CTY-TIsp136 |
|
A Survey of Types |
Berthold Type Foundry |
-01- |
CTY-TIsp093 |
| Aa. Vv. |
U&lc |
ITC |
1993 |
CTY-TIri040 |
| Hermann Eidenbenz - Eugen e Max Lenz |
Graphic/Graphique-Profile/Profil |
Haas Typefoundry |
-01- |
CTY-TIsp105 |
| Howard Allen Trafton |
Cartoon |
Bauer Type Foundry Inc. |
1936 |
CTY-TIsp064 |
|
Shmale magere Grotesk/Grotesque maigre allongée |
Haas Typefoundry |
-01- |
CTY-TIsp144 |
| Aa. Vv. |
U&lc |
ITC |
1998 |
CTY-TIri032 |
|
Marko |
C. E. Weber |
1953 |
CTY-TIsp017 |
| Aa. Vv. |
U&lc |
ITC |
1998 |
CTY-TIri031 |
| Aa. Vv. |
U&lc |
ITC |
1990 |
CTY-TIri049 |
|
Frischer Wind — und Folio |
Harrys-Intertype Gmbh. Berlin |
1962 |
CTY-TIsp009 |
| C.H. Griffith |
Monticello |
Mergenthaler Linotype Company |
1946 |
CTY-TIsp081 |
| Morris Fuller Benton |
Cheltenham |
Mergenthaler Linotype Company |
1929 |
CTY-TIsp066 |
|
ATF Type Specimens - Supplement 2 |
American Type Founders |
-01- |
CTY-TIsp087 |
| Ruari McLean |
Pictorial Alphabets |
Studio Vista, London Dover Publications, New York |
1968 |
CTY-TIli004 |
| Brian Reade, Lynton Lamb, Harry Carter |
Signature 4 |
Curwen press |
1947 |
CTY-TIli024 |
| Konrad Friedrich Bauer, Walter Baum |
Fortune |
Bauer Alphabets, Inc. |
1955 |
CTY-TIsp034 |
|
Presenting |
Haas Typefoundry |
-01- |
CTY-TIsp070 |
| Tony Stan |
Itc Garamond |
itc |
1977 |
CTY-TIsp124 |
| Aa.Vv. |
Penrose annual 1965 |
Herbert Spencer |
1965 |
CTY-TIri016 |
|
Neon Aurora bold condensed |
Chicago Type Foundry |
-01- |
CTY-TIsp099 |
| Aldo Novarese |
Eurostile Neon |
Neon Type Division, Typefounders of Chicago |
1962 |
CTY-TIsp091 |
|
George Morland |
Curwen Press |
1954 |
CTY-TIli019 |
| Ivor Robinson |
Introducing Bookbinding |
Watson - Guptill Publication New York |
1968 |
CTY-TIli003 |
| Aa. Vv. |
U&lc |
ITC |
1985 |
CTY-TIri066 |
| Lucian Bernhard |
ATF Bernhard Modern Bold and Bold Italic |
ATF |
-01- |
CTY-TIsp051 |
| Aa.Vv. |
Penrose annual 1938 |
Lund, Humphries & company, LTD |
1938 |
CTY-TIri007 |
| Aldo Novarese |
Eurostile |
Società Nebiolo |
1962 |
CTY-TIsp076 |
|
Mazak Type for Rubber Stamp and Hot Foil Processing |
Stephenson Blake & Co. Limited |
-01- |
CTY-TIsp036 |
| Ed Benguiat |
Itc Benguiat |
itc |
1977 |
CTY-TIsp115 |
| Aa. Vv. |
U&lc |
ITC |
1997 |
CTY-TIri036 |
| William Shakespeare |
All the love poems of Shakespeare |
Sylvan Press |
1947 |
CTY-TIli006 |
|
Italic typography on the Ludlow |
Ludlow Typography Company |
1927 |
CTY-TIca005 |
| Aldo Novarese |
Forma |
Società Nebiolo Torino |
1968 |
CTY-TIsp149 |
| Aa. Vv. |
U&lc |
ITC |
1998 |
CTY-TIri030 |
| Hermann Zapf |
Optima |
Neon Type Division, Typefounders of Chicago |
-01- |
CTY-TIsp063 |
| Hans Heimbeck |
Diane |
Continental Typefounders Association Inc. |
1936 |
CTY-TIsp090 |
| Aa. Vv. |
U&lc |
ITC |
1993 |
CTY-TIri041 |
| Oldrich Menhart |
Roman and Italic Manuscript |
Slévarna písem |
1944 |
CTY-TIsp040 |
| Alessandro Butti / Aldo Novarese |
Microgramma |
Nebiolo Type Foundry |
1952 |
CTY-TIsp044 |
| Victor A. Caruso |
Itc Clearface |
itc |
1979 |
CTY-TIsp119 |
