| William Shakespeare |
All the love poems of Shakespeare |
Sylvan Press |
1947 |
CTY-TIli006 |
| Aldo Novarese |
Eurostile Neon |
Neon Type Division, Typefounders of Chicago |
1962 |
CTY-TIsp091 |
| F. K. Sallway |
Information |
The Stempel Foundry |
1958 |
CTY-TIsp015 |
| Aa. Vv. |
U&lc |
ITC |
1993 |
CTY-TIri039 |
|
Neon Aurora bold condensed |
Chicago Type Foundry |
-01- |
CTY-TIsp099 |
| Victor A. Caruso |
Itc Clearface |
itc |
1979 |
CTY-TIsp119 |
| Stephenson Blake |
Grotesque 9 |
The Caslon Letter Foundry |
-01- |
CTY-TIsp062 |
|
Gainsborough Script |
Simpons |
1986 |
CTY-GRbr001 |
| J. Ben Lieberman |
Printing as a hobby |
Sterling Publishing Co. Inc. |
1963 |
CTY-TIli009 |
| Alessandro Butti / Aldo Novarese |
Microgramma |
Nebiolo Type Foundry |
1952 |
CTY-TIsp044 |
| Aldo Novarese, Alessandro Butti |
Microgramma Neon |
Typefounders of Chicago |
1952 |
CTY-TIsp012 |
| Aa. Vv. |
U&lc |
ITC |
1988 |
CTY-TIri058 |
| Aa. Vv. |
U&lc |
ITC |
1994 |
CTY-TIri038 |
| Lucian Bernhard |
ATF Bernhard Modern Bold and Bold Italic |
ATF |
-01- |
CTY-TIsp051 |
| Herb Lubalin, Tom Carnase |
Itc Avant Garde Gothic Condensed |
Itc |
1974 |
CTY-TIsp113 |
| Friedrich Hermann Ernst Schneidler |
Legend |
Bauer Alphabets, Inc. |
1937 |
CTY-TIsp077 |
| Aa.Vv. |
Penrose annual 1969 |
Herbert Spencer |
1969 |
CTY-TIri020 |
| Aa.Vv. |
Penrose annual 1977/78 |
Stanley Greenwood and Clive Goodacre |
1977 |
CTY-TIri024 |
| Aa.Vv. |
Penrose annual 1960 |
Allan Delafons |
1960 |
CTY-TIri015 |
| Albert Boton |
Itc Eras |
itc |
1976 |
CTY-TIsp120 |
|
Itc International Typeface Corporation |
ITC |
1977 |
CTY-TIsp141 |
| Aa. Vv. |
U&lc |
ITC |
1993 |
CTY-TIri040 |
| S.H. de Roos |
Egmont |
Amsterdam Type Foundry |
1933 |
CTY-TIsp065 |
| Oldrich Menhar, Josef Týfa |
Veneziana |
Grafotechna |
1920 |
CTY-TIsp037 |
| Ed Benguiat |
Itc Benguiat |
itc |
1977 |
CTY-TIsp115 |
| Herb Lubalin, Antonio DiSpigna |
Itc Serif Gothic |
ITC |
1974 |
CTY-TIsp131 |
| Aa. Vv. |
U&lc |
ITC |
1994 |
CTY-TIri037 |
| Aa.Vv. |
Penrose annual 1954 |
R. B. Fishenden, O.B.E.,M. Sc. (Tech), H.O.N. F.R.P.S |
1954 |
CTY-TIri011 |
| Brian Reade, Lynton Lamb, Harry Carter |
Signature 4 |
Curwen press |
1947 |
CTY-TIli024 |
| Aa. Vv. |
U&lc |
ITC |
1997 |
CTY-TIri036 |
| John Rothenstein, Mary Chamot |
The Tate gallery |
Curwen press |
1951 |
CTY-TIli018 |
|
The Type-a-Day calendar June 1973 |
Solotype Typographers |
1973 |
CTY-TIsp057 |
| Lucian Bernhard |
ATF Bernhard |
American Type Founders |
1937 |
CTY-TIsp016 |
| Elsi Vassdal Ellis |
Zapf |
Eve Press |
1987 |
CTY-TIbr001 |
| American Type Founders |
ATF Section G Type Specimens |
ATF |
-01- |
CTY-TIsp048 |
| Jahre Berthold |
100 Jahre Berthold |
H. Berthold AG |
1958 |
CTY-TIli005 |
| American Typefounders Company |
Modern Decorative Material |
American Typefounders Company |
-01- |
CTY-TIsp088 |
|
Smithsonian Type Revivals |
Smithsonian/Letter Foundery |
1970 |
CTY-TIsp028 |
| Wilhelm Pischner |
Linotype - Neuzeit - Grotesk |
D. Stempel A-G |
-01- |
CTY-TIsp096 |
| Aa. Vv. |
U&lc |
ITC |
1988 |
CTY-TIri056 |
| Walter H. McKay |
Columbia |
Amsterdam Type Foundry |
-01- |
CTY-TIsp167 |
| Hubert Phillips, Pearl Falconer |
Meet William Shakespeare |
Curwen press |
1949 |
CTY-TIli022 |
| Hermann Zapf |
Optima |
D. Stempel AG |
1958 |
CTY-TIbr002 |
|
Shmale magere Grotesk/Grotesque maigre allongée |
Haas Typefoundry |
-01- |
CTY-TIsp144 |
| Stanley Morison |
The two best 20th century type families |
Stephenson Blake |
1959 |
CTY-TIsp011 |
| Berlin SW/April 1927 |
Typographische Mitteilungen |
Verlag des Bildungsverbandes der Deutschen Buchdrucker |
1927 |
CTY-TIri004 |
| Jovita Veljović |
Itc Gamma |
ITC |
1986 |
CTY-TIsp123 |
|
Mazak Type for Rubber Stamp and Hot Foil Processing |
Stephenson Blake & Co. Limited |
-01- |
CTY-TIsp036 |
| Dick Dooyes, Stefan Schlesinger |
Rondo |
Amsterdam Type Foundry |
-01- |
CTY-TIsp046 |
| Hermann Berthold |
Standard |
Neon Type Division, Typefounders of Chicago |
1960 |
CTY-TIsp041 |
