Penrose annual 1977/78

Editor: Clive Goodacre
Publisher: Stanley Greenwood
Art Editor: Michael Alkins
Group art director: Arnold Hooton

Contents:

• Biographical notes
• The Penrose Survey
  (B. Bloomfield, M. Bruno, R. Yamamoto, E. Hoch, C. Goodacre) pp. 14
• Penrose portrait: Mike Bruno
  (David Gandelman) pp. 31
• The private press of Otto Rhose
  (Richard Brown) pp. 38
• Magazine design in the seventies
  (Allen Hurlburt) pp. 51
• The bird paintings of henry Jones
  (Colin Cohen) pp. 60
• Photography‘s general practitioner
  (Mark Keighley) pp. 70
• Self-adhesive lebelling- a study in application
  (Peter Stubbs) pp. 80
• Labelling in the Land of Green Ginger
  (Eric Gibson) pp. 97
• When no news is bad news
  (Caryl Holland) pp.105
• Japanese posters at the Stedelijk
  (J. J. de Lucio-Meyer) pp. 113
• Recreating the original
  (Alan Stephenson) pp. 121
• Analysis of a paper campaign
  (Clive Goodacre) pp. 129
• The gap in the assembly line
  (John Westwood) pp. 137
• KC\'‘s camera-speed silverless film
  (Mike Bruno) pp. 142
• Tone reproduction objectives in colour printing
  (Tony Johnson) pp. 151
• Basil Harley and the Curwen Press
  (Basil Harley) pp. 157
• A new technique for gravure etching
  (Bob Bradley) pp. 173
• Felt-tip pen power
  (Michael Willard) pp. 181
• Tailoring type to technology
  (John Latham) pp. 189
• All the print that\'s fit for news
  (Harold Evand) pp. 199
• Giving the design client something of his own
  (Geoffrey Bensusan) pp. 211
• “No home without a stereoscope”
  (Michael Leitch) pp. 221
• Can the designer draw his own profile?
  (John Dawson) pp. 233
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