Penrose annual 1968

Published by: Lund Humphries

Contents:

• The Penrose Survey
  (M. Bruno, R. Austin, A. Hutt, J. Moran) pp. 14
• Geoffrey Ireland: poet with a camera
  (Aaron Scharf) pp. 29
• Typographic design and the computer
  (Maurice Goldring) pp. 41
• Designing Australia‘s decimal currency notes
  (Alistar Morrison) pp. 47
• New notes, new techniques
  (M. F. W. Brown) pp. 58
• Sabon: the first “harmonized type”
  (Jhon Dreyfus) pp. 63
• Supergraphics
  (Ken Baynes, Ann Roberts, Steve Storr) pp. 76
• Print for poor-vision readers
  (alison Shaw) pp. 92
• Reform of the English writing-system
  (John Downing) pp. 102
• Documentation, print and the relevance of hardware
  (Herbert Coblans) pp. 107
• A general purpose type fount suitable for use with optical reading equipment
  (G. G. Scarrott) pp. 117
• The role of dichromated colloids
  (W. B. Hislop) pp. 132
• The change to metric measures
  (Lyndon B. Wainwright) pp. 139
• Ink to mach the machine
  (F. W. Stoyle) pp. 150
• Programmed monochrome reproduction
  (Clive Nash) pp. 159
• IARIGAI
  (Kenneth Hoare) pp. 176
• New uses for stamping foils
  (H. L. Hunter) pp. 181
• The editorial revolution
  (N. I. Korman) pp. 186
• Advertising for a type foundry
  (J. J. de L. Meyer) pp. 198
• Programmed learning in the printing industry
  (B. W. Blunden) pp. 209
• The abstracting process and the British Museum Catalogue of Printing Books
  (John Commander) pp. 216
• Electrophotography
  (G. R. Mott, S. F. Royka) pp. 224 
• Photocopying and copyright
  (Ronald E. Barker) pp. 234
• Types of the sixties
  (Kenneth Day) pp. 241
• Harmonic system for computer-controlled  type-setting
  (Louis Rosenblum) pp. 257
• Research on paper for printing
  (Michael H. Bruno) pp. 267
• Advertisements