Penrose annual 1966

Edited by: Herbert Spencer
Published by: Lund Humphries

Contents:

• Photography for print
  (Bob Brooks) pp. 16 
• The lasting power of black-and-white
  (Eric de Maré) pp. 28
• Are consumer magazines a “good buy”?
  (Ken Baynes) pp. 43
• Japan-growing power in print
  (E. A. Possnecke) pp. 54
• Printing for the arts
  (Bernh Baer) pp. 59
• Need the craftsman feel frustrated
  (W. B. Hislop) pp. 94
• The Asia Magazine
  (John Anstey) pp. 97
• “Coloured hearing” and “number forms”
  (Barbara Duncum) pp. 109
• Colour as a code for connotative communication
  (Percy H. Tannenbaum) pp. 115
• The well-tempered colourchord
  (Benno Wissing) pp. 121
• Instrumental colour control
  (J. M. Adams) pp. 125
• Process in new colour process inks
  (Frank Preucil) pp. 131
• Printing on a cast-coated surface
  (Bryan H. Smith) pp. 134
• The use of colour coding in business systems
  (Daphne Rands) pp. 139
• Electrostatic printing
  (Daniel Smith) pp. 143
• A true electrostatic printing process
  (Clyde Childress) pp. 151
• Typography in emergent Africa
  (Allen Hutt) pp. 157
• The art school dilemma
  (James Holland) pp. 162
• From basic to graphic design at Wuppertal
  (J. J. de L. Meyer) pp. 175 
• Economics of colour printing and buying
  (Robert Austing) pp. 189
• Photo-solubilization
  (J. F. Strange) pp. 197
• Mechanics of adhesive binding
  (William O. Faxon, Robert E. Fogg) pp. 203
• Graphic design in the Soviet Union
  (V. Lyakhov) pp. 210
• Margins in the manuscript and printed book
  (F. W. Ratcliffe) pp. 217
• A realistic approach to colour reproduction
  (F. R. Clapper, T. C. Montrois) pp. 235
• Powderless etching of printing plates
  (Marvin C. Rogers) pp. 243  
• Electrostaic colour-proofing process
  (Owen R. Cormack) pp. 251 
• Advanced computer printing systems
  (John Duncan) pp. 254
• The Penrose Survey
  (M. Bruno, J. Moran, G. W. Ovink) pp. 269
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