Penrose annual 1951

Sovracoperta progettata da Herbert Spencer e frontespizio “Colour Derivation” di Janette Klute, Eastman Kodak Company.

General Articles:

• Editorial Review
  (R. B. Fishenden) pp. 1
• Books for exhibitions
  (Harry Carter) pp. 13
• Black and White-Smith: W.A. Dwiggins
  (Jackson Burke) pp. 17
• An Appraisement of Swiss printing
  (Willy Rotzler) pp. 20
• Booksellers & stationer‘s trade cards of eighteenth century
  (Sir Ambrose Heal) pp. 29
• Advertising films intelligently
  (John Piper) pp. 33
• Artist and fa shon editor
  (Audrey Withers) pp. 35
• Decline of art in advertising?
  (J.R.M. Brumwell) pp. 38
• Impressions of the typesetting industry in America
  (Beatrice Warde) pp. 42
• The exhibition of design in business printing
  (C. W. Cousland) pp. 45
• Design in publishers‘ bindings
  (Ian Parsons) pp. 48
• The America Institute og Graphic Arts
  (Peter Beilenson) pp. 51
• The Society of Industrial Artists
  (James de Holden Stone, F.I.S.A.) pp. 55
• The pubblication of UNESCO
  (Henri Steiner) pp. 58
• Projecting the Festival of Britain
  (Paul Wright) pp. 60
• The official catalogues of the Great Exhibition of 1951
  (Charles Hasler, M.S.I.A) pp. 63
• Mid-nineteenth-century colour printing
  (Charles Hasler, M.S.I.A) pp. 66
• Printing at the turn of the century
  (Ralph C. Hazell) pp. 69
• Some aspect of colour in photography
  (Frank Ormrod) pp. 71
• The illustrations for “Forsyte Saga”
  (Antony Gross) pp. 74
• The Herkomer lithographic technique and applications
  (T. E. Griffits) pp. 77
• Co-operative industrial research
  (Sir Ben Lockspeiser, K.C.B, F.R.S) pp. 79
• “Derivations” from colour photographs
  (Ralph M. Evans) pp. 81
• The Ektacolor process
  (W. A. Reedy) pp. 84
• Colour masking and tone correction in four-colour offset work
  (M. Hepher and J. Lee) pp. 86
• Co-ordinated production and research at Time Incoporated
  (B. D. Chapman) pp. 89
• The Time-Springdale colour scanner
  (Nathaniel Bishop) pp.92
• The Higonnet-Moyroud Photographic Type Composing Machine
  (W. W. Garth) pp. 95
• The Fairchild lithotype
  (Fairchild Camera & Instrument Corporation) pp. 98
• Justowriter progress
  (Frank De Witt) pp. 100
• The Fairchild Photo-Electric Engraver
  (C. A. Harrison) pp. 104
• Studies in letterpress printing
  (R. G. W. Croney, B. Sc, A. Inst. P.) pp. 106
• Ink coverage and the duct
  (R. F. Bowles, Ph. D., F.R.I.C.) pp.108
• Som printing defect investigated by PATRA
  (F. B. Meech, B. Sc, A.R.I.C) pp.112
• Photographic transmission densitometry
  (H. M. Cartwright, F.R.P.S) pp. 114
• British darkroom cameras
  (D. C. Gresham, F.R.P.S) pp. 118
• Collodion emulsion and new techniques
  (Frank H. Smith, F.R.P.S) pp. 121
  
• Electrolytic etching of copper
  (Luther E. Vaaler) pp. 124
• Mounting blocks true to point
  (Lous Flader) pp. 127
• The development of PVA plastic offset plates
  (Robert J. Lefebvre, B. -Chem-, S.P.E) pp. 129
• The Ektalith plastic litho plate
  (Walter Clark) pp. 132
• Lithographic plates by xerography
  (L. E. Walkup, B. S.) pp. 134
• Offset duplication without dampers
  (C. H. Van Dusen, Jr, A. B) pp. 136
• The Aulgraph I.P.I Tri-Metal Lithographic Plate
  (H. A. Idle) pp. 138
• The decay of books
  (Dorothy M. Evans, B. Sc) pp. 139