Penrose annual 1933

The text:

• The Editor‘s Review
  pp.1
• The Cambridge University Press
  (Chas T. jacobi) pp. 17
• The World-Museum of Printing
  (Dr. A. Ruppel) pp. 23
• Photography in Publicity and in Books, in France
  (Marcel Valotaire) pp. 29
• The Jean Berté Process for Colour Printing
  (William J. Orchard) pp. 33
• Commercial Arbitration of Technical disputes in the Graphic Arts Industries of New York
  (Leona Powell) pp. 37
• New Aspects of Copyright
  (Peter Hood, A.R.P.S) pp. 44
• A Studio Factory
  (Vernon Booth) pp. 46
• The Ways of the Modern Advertisement
  (C. Maxwell Tregurtha) pp. 49
• Colour Prints that Sell
  (A. A. Braun) pp. 53
• Book Decoration versus Book Illustration, with a Plea for Initial Letters
  (Edward Carrick) pp. 60
• Daniel Vierge: Some Aspect of Book Illustration, Old and New
  (Douglas Percy Bliss) pp. 66
• The Mystery of Oil-colour Printing
  (C. T. Courtney Lewis) pp. 74
• The Economics of Unsightly Advertising
  (A. Ryan) pp. 79
• Commercial Art and Colour Printing
  (W. G. Raffé, A.R.C.A.) pp.83
• Colour is Healing
  (G. M. Ellwood) pp. 89
• The Word Picture
  pp. 95
• Operating Modern Machinery: Its Future and Advantages to Employer and Employee
  (L. W. Claybourn) pp. 99
• Rotary Web Offset Printing
  (T. W. Brown) pp. 109
• Embossed Paper
  (H. V. Major) pp. 114
• Distortion by Photography
  (Reginald S. Clay, B.A., D. Sc., F. Inst.P.) pp. 117
• Intaglio-Offset-or Offset Deep
  (R. B. Fishenden, M. Sc. Tech) pp. 121
• Photogravure from Thin Copper Plates
  (Wilfred Greaves) pp. 125
• Text Matter in Photogravure
  (F. L. Watson) pp. 128
• Photogravure Etching Baths
  (G. C. Laws) pp. 130
• The Royloffset Process
  (Frederick T. Corkett, F.R.P.S.) pp. 132
• The Making of Printing Blocks on Celluloid
  (W. D. Stewart) pp. 134
• The Peridak Process of Reduction
  (A. J. Newton, F.R.P.S.) pp. 136
• Making Half-tone Negatives with the Erwin Grain Screen
  (T. Crawford Erwin) pp. 140