Progetto Grafico – N. 19

Periodico dell’Aiap.
Associazione italiana progettazione
per la comunicazione visiva

Fondo/i
Fondo AIAP
Periodico
Progetto Grafico
Anno
2011
Volume
9
Numero
19
Progetto grafico
Restyling di Alberto Lecaldano del progetto grafico di “Notizie Aiap” (di A.L. e Daniele Turchi)
Direzione
Alberto Lecaldano
Tipologia
Brossura
Formato
21,5 x 30 cm
Editore
AIAP Edizioni
Numero di pagine
176
Stampa
Colori
Tags
AIAP Rivista

Indice:
pag. 4 - Graphic design. Robin Kinross
Isotype
pag. 10 - Neurath, the Isotype and the third competence. Giovanni Anceschi
pag. 16 - Isotype revisited. Eric Kindel and Sue Walker with additional commentary by Christopher Burke, Matthew Eve, and Emma Minns
Samizdat
pag. 24 - The Soviet Samizdat. Dmitrij Prigov
pag. 28 - The “Metropol” lesson. Evgenij Popov
pag. 32 - The Samizdat as a tradition. Stanislav Savickij
pag. 34 - Samizdat: clandestine publishing during the Soviet period. Emanuela Bonacorsi
pag. 40 - Samizdat anthology
pag. 42 - Anti-Gutenberg: Samizdat variations on the theme of the Art Book. Valentina Parisi
Reading/Writing
pag. 46 - Writing, image and linearity: the Aztec case. Antonio Perri
pag. 50 - Theatres of semantic poetry. Stefan Themerson and internal vertical justification. Giovanni Lussu
pag. 74 - Legibility and readability. The theoretical definition. EXP
pag. 75 - Cognitive processes during the reading of a graphic work. EXP
The ghost user
pag. 76 - From user to interpreter. How to avoid getting lost while chasing ghosts (and in the subway). Antonio Perri
pag. 82 - The final user is not prosecutable. Design for, with or against the user? Silvia Sfligiotti
pag. 86 - People and things. Hypothesis for a neutral space between theory, research and design practices. Luciano Perondi
pag. 90 - The revenge of the ghosts, the New Age of information design. Luigi Farrauto
pag. 94 - Letters and death. Funerary epigraphies in Rome during the Baroque. Mauro Zennaro
pag. 102 - Situationist maps. Psychogeography of the city. Valter Follo
pag. 114 - Eugenio Carmi and the Cornigliano/Italsider style. An example of corporate image from the Italian economic miracle. Carlo Vinti
pag. 126 - The Milanese style: Bob Noorda. A meeting, with surprises. Mario Piazza
Brani
pag. 93 - Primo Levi
pag. 113 - Norberto Bobbio
pag. 139 - Patrizia Cavalli
pag. 134 - Explanation graphics. Nigel Holmes and wordless diagrams. Luigi Farrauto interviews Nigel Holmes
pag. 138 - An inversion in perception. The suggestive typography of Marian Bantjes. Marianna Rossi interviews Marian Bantjes
pag. 142 - Declaration of independence. Werkplaats typografie: an otherschool. Silvia Sfligiotti
pag. 146 - Georges Perec: how to read a book. A. L. and Gianni Trozzi
pag. 148 - Graphic design amidst the clouds. The posters/pages for the Poesiafestival of the Unione Terre di Castelli. Paolo Donini
pag. 152 - Pulcinoelefante editions. A day on the banks of the Adda. Fabrizio M. Rossi 152
pag. 156 - Cartoneros no hay dineros. Francesca Lazzarato
pag. 160 - Comics on the streets of Brussels: three approaches and a description. Jose Ovejero
pag. 166 - The European flag: let’s make another one. A. L.
pag. 172 - The authors
pag. 174 - Aiap members
pag. 175 - Subscriptions
pag. 176 - The plurality of worlds. Daniela Piscitelli
pag. 176 - This Progetto grafico international. Alberto Lecaldano